Born in 1946 in Wood Hall St Catherine; Pearson was only 15 years old when he was was first introduced to the medium of clay at the Jamaica School of Art now the Edna Manley College of the Visual and Performing Arts in 1960. He studied under Jamaica’s Master Potter Cecil Baugh with whom he developed a close relationship; Pearson recounted that “…[Baugh] was like a father to me and I was like the son he never have.” He was one of the first two students to graduate from the school with a Diploma in Ceramics in 1965 and subsequently went on to teach at his alma mater for almost eighteen years and also taught drawing and painting at Calabar and Vere Technical High Schools in the early 1970s. After he stopped teaching at the School of Art he began dividing his time between Jamaica and Northern California working with the Potters Studio in Berkley. He used the facilities there to produce his larger sculptures and his bronze works and also conducted workshops at University of Berkley and participated in exhibitions in California. He was also known to be a keen cultural entrepreneur having opened an eponymous gallery in New Kingston where he sold his ceramic and sculptural works. While he produced more conventional ceramics, such as vases and bowls, Pearson was best known for his sculptural work, especially his popular heads and masks which celebrated black beauty and dignity. Inspired by the arts of the ancient Nubia and Benin as well as Rastafari culture, the introverted monumentality of his sculptural works made them amongst the most distinctive and recognizable of the artists of his generation.