George Wolfe Plank
Born 1883 • American /british
George Wolfe Plank (1883-1965) was an American artist illustrator, chiefly remembered for his long-term association with Vogue Magazine , which resulted in years of covers in an Art Deco style related to that of Helen Dryden and influenced, by among others, Edmund Dulac . Style Plank's work has been compared with such artists as Rackham , Dulac , Alphonse Mucha and even Gustav Klimt . His work is characterized by broad fields of bright colour setting off the mass and line of his principal figures. His composition is clear and simple, the wealth of sartorial detail notwithstanding. Plank broke onto the Vogue scene with his mature style almost completely established and worked for some years with no real rivals before Helen Dryden's work matured and she became one of the most important of his colleagues. William Packer described Plank's concept of fashion as "ideal, bizarre and improbable, at once adventurous and yet romantic and nostalgic". George Wolfe Plank, the American illustrator and designer of magazine covers, was born on March 25, 1883, in a village five miles from Gettysburg, Pennsylvania. His mother died when he was four and he was raised by his maternal grandparents in Bendersville, Pennsylvania. A self-taught artist, he worked in factories and department stores before moving to Philadelphia where he edited and printed The Butterfly Quarterly with Margaret H. Scott, Alice Smith, and Amy Smith from 1907-09. In 1911, he was hired by Vogue and continued to supply illustrations and cover designs for the magazine until 1936. In 1914, Plank moved to England with his Philadelphia friends, James and Mildred Whitall. Plank's gift for friendship enabled him to move easily in all ranks of London society and his artistic talents were in great demand. He drew illustrations for his friends' books, including E. F. Benson's The Freaks of Mayfair in 1916, Lady Wellesley's Genesis in 1926, and H.D.'s Hedgehog in 1936. He also supplemented his Vogue income by designing costumes, sets, and programs for Edy Craig's productions; painting posters for the Red Cross during the First World War; designing chintz cloth and interior decorations for Lady Sackville; and designing stationery and bookplates for H.D., Lady Carter, and Pauline Pappenheim. He even completed two royal commissions, including a map of South America in 1918, showing the Queen's Needlework Guilds and, in 1921, the King's bedroom for a dollhouse designed by Sir Edwin Lutyens for Queen Mary. In 1927, Lutyens designed and built a house for Plank in Sussex, where he resided for the rest of his life. During World War II, Plank joined the Home Guard and nearly died of hyperthyroidism. He was naturalized as an Englishman in 1945 and spent the rest of his days gardening at his house, Marvells. George Plank died in his sleep on May 4, 1965 in a nearby nursing home.
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George Wolfe Plank
Born 1883 • American /british
George Wolfe Plank (1883-1965) was an American artist illustrator, chiefly remembered for his long-term association with Vogue Magazine , which resulted in years of covers in an Art Deco style related to that of Helen Dryden and influenced, by among others, Edmund Dulac . Style Plank's work has been compared with such artists as Rackham , Dulac , Alphonse Mucha and even Gustav Klimt . His work is characterized by broad fields of bright colour setting off the mass and line of his principal figures. His composition is clear and simple, the wealth of sartorial detail notwithstanding. Plank broke onto the Vogue scene with his mature style almost completely established and worked for some years with no real rivals before Helen Dryden's work matured and she became one of the most important of his colleagues. William Packer described Plank's concept of fashion as "ideal, bizarre and improbable, at once adventurous and yet romantic and nostalgic". George Wolfe Plank, the American illustrator and designer of magazine covers, was born on March 25, 1883, in a village five miles from Gettysburg, Pennsylvania. His mother died when he was four and he was raised by his maternal grandparents in Bendersville, Pennsylvania. A self-taught artist, he worked in factories and department stores before moving to Philadelphia where he edited and printed The Butterfly Quarterly with Margaret H. Scott, Alice Smith, and Amy Smith from 1907-09. In 1911, he was hired by Vogue and continued to supply illustrations and cover designs for the magazine until 1936. In 1914, Plank moved to England with his Philadelphia friends, James and Mildred Whitall. Plank's gift for friendship enabled him to move easily in all ranks of London society and his artistic talents were in great demand. He drew illustrations for his friends' books, including E. F. Benson's The Freaks of Mayfair in 1916, Lady Wellesley's Genesis in 1926, and H.D.'s Hedgehog in 1936. He also supplemented his Vogue income by designing costumes, sets, and programs for Edy Craig's productions; painting posters for the Red Cross during the First World War; designing chintz cloth and interior decorations for Lady Sackville; and designing stationery and bookplates for H.D., Lady Carter, and Pauline Pappenheim. He even completed two royal commissions, including a map of South America in 1918, showing the Queen's Needlework Guilds and, in 1921, the King's bedroom for a dollhouse designed by Sir Edwin Lutyens for Queen Mary. In 1927, Lutyens designed and built a house for Plank in Sussex, where he resided for the rest of his life. During World War II, Plank joined the Home Guard and nearly died of hyperthyroidism. He was naturalized as an Englishman in 1945 and spent the rest of his days gardening at his house, Marvells. George Plank died in his sleep on May 4, 1965 in a nearby nursing home.
Learn More
Sign up for a FREE account today!
Sign Up
Digitizing your art collection allows you to access it anywhere around the world.
A computer, tablet, and phone showing the native ArtCollection.io applications.

Available on any device, mac, pc & more

ArtCollection.io is a cloud based solution that gives you access to your collection anywhere you have a secure internet connection. In addition to a beautiful web dashboard, we also provide users with a suite of mobile applications that allow for data synchronization and offline browsing. Feel confident in your ability to access your art collection anywhere around the world at anytime. Download ArtCollection.io today!

App Store button to download iOS application.
Google Play Button to download Android application.