I Nyoman Masriadi

b. 1973 • Indonesian

Biography

Nyoman Masriadi’s paintings frequently depict superhuman figures whose narratives, while rooted in Indonesian cultural history, offer witty and often biting social commentary on contemporary life and global pop culture. Through his control of light, shadow and volume, Masriadi endows these monumental characters with a sculptural, almost three-dimensional presence. Sometimes these characters appear in the archetypal roles of comic book heroes, cowboys, soldiers and athletes, but just as frequently, they are just powerfully built men and women engaged in solitary acts of strength or captured in private moments of vulnerability. Masriadi studied at the Institut Seni Indonesia in Jogjakarta. Recent solo and group exhibitions include Black is My Last Weapon, Singapore Art Museum, Singapore (2008); Jogja Biennale X, Jogjakarta, Indonesia (2009) and The Simple Art of Parody, Taipei MOCA, China (2009). He is the subject of a major new monograph, Nyoman Masriadi: Reconfiguring the Body, written by art historian T.K. Sabapathy and with an essay by Goenawan Mohamed. Paul Kasmin Gallery held his first exhibition in the United States in 2011.

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I Nyoman Masriadi

b. 1973 • Indonesian

I Nyoman Masriadi

Biography

Nyoman Masriadi’s paintings frequently depict superhuman figures whose narratives, while rooted in Indonesian cultural history, offer witty and often biting social commentary on contemporary life and global pop culture. Through his control of light, shadow and volume, Masriadi endows these monumental characters with a sculptural, almost three-dimensional presence. Sometimes these characters appear in the archetypal roles of comic book heroes, cowboys, soldiers and athletes, but just as frequently, they are just powerfully built men and women engaged in solitary acts of strength or captured in private moments of vulnerability. Masriadi studied at the Institut Seni Indonesia in Jogjakarta. Recent solo and group exhibitions include Black is My Last Weapon, Singapore Art Museum, Singapore (2008); Jogja Biennale X, Jogjakarta, Indonesia (2009) and The Simple Art of Parody, Taipei MOCA, China (2009). He is the subject of a major new monograph, Nyoman Masriadi: Reconfiguring the Body, written by art historian T.K. Sabapathy and with an essay by Goenawan Mohamed. Paul Kasmin Gallery held his first exhibition in the United States in 2011.

Track I Nyoman Masriadi

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Digitizing your art collection allows you to access it anywhere around the world.
A computer, tablet, and phone showing the native ArtCollection.io applications.

Available on any device, mac, pc & more

ArtCollection.io is a cloud based solution that gives you access to your collection anywhere you have a secure internet connection. In addition to a beautiful web dashboard, we also provide users with a suite of mobile applications that allow for data synchronization and offline browsing. Feel confident in your ability to access your art collection anywhere around the world at anytime. Download ArtCollection.io today!

App Store button to download iOS application.
Google Play Button to download Android application.