Laura Pagliai
Biography
Curiosity is the common thread and the artistic motivation that leads me to research, to new experiences on expressive language and the use of different materials. I love sculpture, discover the shapes that hands shape in dialogue with matter and feel the resistance and flow of movements, see the succession of sensations, listen to them and find myself in them in a form of alchemic experience of the relationship between matter and psyche brings me to an isolated world. Here I compare myself along the traces of a continuous metamorphosis of color and matter, made each time different by the unrepeatability of the creative process, focusing attention on the human figure, on characters immobilized in an atmosphere of melancholic meditation, of attachment to the material, to the Earth. In paintings, the landscape is a pretext and emotion. I do not dwell on its structures, because we do not need reality, but an escape route, so as not to paint only what we see before ourselves, but what we see within ourselves. Dark faces, kidnapped by a dissolved reality, lost, empty, dramatic looks as they stare at frightening questions and useless expectations of answers.
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Learn why collectors document their holdings onlineLaura Pagliai
Biography
Curiosity is the common thread and the artistic motivation that leads me to research, to new experiences on expressive language and the use of different materials. I love sculpture, discover the shapes that hands shape in dialogue with matter and feel the resistance and flow of movements, see the succession of sensations, listen to them and find myself in them in a form of alchemic experience of the relationship between matter and psyche brings me to an isolated world. Here I compare myself along the traces of a continuous metamorphosis of color and matter, made each time different by the unrepeatability of the creative process, focusing attention on the human figure, on characters immobilized in an atmosphere of melancholic meditation, of attachment to the material, to the Earth. In paintings, the landscape is a pretext and emotion. I do not dwell on its structures, because we do not need reality, but an escape route, so as not to paint only what we see before ourselves, but what we see within ourselves. Dark faces, kidnapped by a dissolved reality, lost, empty, dramatic looks as they stare at frightening questions and useless expectations of answers.
Track Laura Pagliai
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