Biography
Li Songsong is renowned for his thickly layered paintings that animate the fragmentary nature of images and memory, paying particular attention to the people, events, and themes of modern and contemporary Chinese history. Li graduated from the Subsidiary School of the Central Academy of Fine Arts in 1992 and received a B.F.A in oil painting from the Central Academy of Fine Arts in 1996. By the early 2000s, Li began to show his prominent style of heavily painted surfaces drawn from found imagery and mass media. These early works, such as Policemen (2001) and Big River (2001), are characterized by a distinctly monochromatic palette that express the haziness of memory and the impact of both historic and quotidian imagery. Li’s first solo exhibition Public Auction – Work Horse at Qinghua University of Fine Arts, Beijing (2001), would highlight this distinct style. In 2002, Li was one of the first to inhabit a studio in the famous 798 Art District in Beijing, during which time he began to include multiple color schemes into his work and increasingly add more extraordinarily thick and layered pigments.
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Li Songsong is renowned for his thickly layered paintings that animate the fragmentary nature of images and memory, paying particular attention to the people, events, and themes of modern and contemporary Chinese history. Li graduated from the Subsidiary School of the Central Academy of Fine Arts in 1992 and received a B.F.A in oil painting from the Central Academy of Fine Arts in 1996. By the early 2000s, Li began to show his prominent style of heavily painted surfaces drawn from found imagery and mass media. These early works, such as Policemen (2001) and Big River (2001), are characterized by a distinctly monochromatic palette that express the haziness of memory and the impact of both historic and quotidian imagery. Li’s first solo exhibition Public Auction – Work Horse at Qinghua University of Fine Arts, Beijing (2001), would highlight this distinct style. In 2002, Li was one of the first to inhabit a studio in the famous 798 Art District in Beijing, during which time he began to include multiple color schemes into his work and increasingly add more extraordinarily thick and layered pigments.
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