Mao Xuhui

b. 1956 • Chinese

Biography

Mao Xuhui is a prominent Chinese contemporary artist known for his contributions to the avant-garde movement in China during the late 20th century. Born in 1956 in Chongqing, China, Mao Xuhui became a key figure in the New Wave art movement that emerged in the 1980s. He is particularly recognized for his works that explore themes of authority, family, and personal identity, often through the use of symbolic imagery such as chairs and scissors. Mao Xuhui's artistic style is characterized by a bold use of color and a distinctive expressionist approach. His works often reflect the socio-political changes in China, capturing the tension between tradition and modernity. One of his most notable series, the "Parent's Chair" series, uses the motif of the chair to symbolize power and authority, reflecting his personal experiences and broader societal observations. Mao Xuhui's works have been exhibited internationally, and he has participated in significant exhibitions such as the China/Avant-Garde Exhibition in 1989. His art is highly regarded for its introspective depth and its ability to engage with complex cultural narratives, making it a valuable addition to collections focused on contemporary Chinese art.

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Mao Xuhui

b. 1956 • Chinese

Biography

Mao Xuhui is a prominent Chinese contemporary artist known for his contributions to the avant-garde movement in China during the late 20th century. Born in 1956 in Chongqing, China, Mao Xuhui became a key figure in the New Wave art movement that emerged in the 1980s. He is particularly recognized for his works that explore themes of authority, family, and personal identity, often through the use of symbolic imagery such as chairs and scissors. Mao Xuhui's artistic style is characterized by a bold use of color and a distinctive expressionist approach. His works often reflect the socio-political changes in China, capturing the tension between tradition and modernity. One of his most notable series, the "Parent's Chair" series, uses the motif of the chair to symbolize power and authority, reflecting his personal experiences and broader societal observations. Mao Xuhui's works have been exhibited internationally, and he has participated in significant exhibitions such as the China/Avant-Garde Exhibition in 1989. His art is highly regarded for its introspective depth and its ability to engage with complex cultural narratives, making it a valuable addition to collections focused on contemporary Chinese art.

Track Mao Xuhui

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