Richard Wentworth has played a leading role in New British Sculpture since the end of the 70s. His work, encircling the notion of objects and their use as part of our day-to-day experiences, has altered the traditional definition of sculpture. By transforming and manipulating industrial and/or found objects into works of art, Wentworth subverts their original function and extends our understanding of them by breaking the conventional system of classification. These sculptural arrangements and assisted ready-mades play with the juxtaposition of objects that bear no relation to each other, as well as with a range of materials taken out of their original contexts.