Biography
Romuald Hazoumè, born in 1962 in Porto Novo, Republic of Dahomey (now Benin), is a prominent Beninese artist and sculptor known for his innovative use of recycled materials. Hazoumè's work often explores themes of identity, culture, and the impact of consumerism. He gained international recognition for his piece 'La Bouche du Roi,' a reinterpretation of the 1789 image of the slave ship Brookes, which was exhibited in the United Kingdom as part of the centenary remembrance of the Slave Trade Act 1807. Hazoumè is renowned for his series of masks crafted from discarded gasoline canisters, which echo traditional African masks used in cultural ceremonies. Through these works, he comments on the environmental and cultural consequences of Western consumerism, stating that he returns to the West what belongs to them—the waste of consumer society. His art is part of prestigious collections, including The Contemporary African Art Collection (CAAC) of Jean Pigozzi, highlighting his significant contribution to contemporary African art. Collectors and institutions value Hazoumè's work for its powerful commentary on global issues and its unique blend of traditional and modern artistic practices.
Track Romuald Hazoumè
Get notifications when works come to auction, and access market analytics
Create Free AccountAlready have an account? Sign In
Professional documentation gives you clarity, portability, and confidence in your collection.
Learn why collectors document their holdings online
Your collection, accessible anywhere
Access your collection from any device with our cloud-based platform. Native mobile apps provide seamless synchronization and offline browsing, ensuring your collection data is always at hand.
Biography
Romuald Hazoumè, born in 1962 in Porto Novo, Republic of Dahomey (now Benin), is a prominent Beninese artist and sculptor known for his innovative use of recycled materials. Hazoumè's work often explores themes of identity, culture, and the impact of consumerism. He gained international recognition for his piece 'La Bouche du Roi,' a reinterpretation of the 1789 image of the slave ship Brookes, which was exhibited in the United Kingdom as part of the centenary remembrance of the Slave Trade Act 1807. Hazoumè is renowned for his series of masks crafted from discarded gasoline canisters, which echo traditional African masks used in cultural ceremonies. Through these works, he comments on the environmental and cultural consequences of Western consumerism, stating that he returns to the West what belongs to them—the waste of consumer society. His art is part of prestigious collections, including The Contemporary African Art Collection (CAAC) of Jean Pigozzi, highlighting his significant contribution to contemporary African art. Collectors and institutions value Hazoumè's work for its powerful commentary on global issues and its unique blend of traditional and modern artistic practices.
Track Romuald Hazoumè
Get notifications when works come to auction, and access market analytics
Create Free AccountAlready have an account? Sign In
Professional documentation gives you clarity, portability, and confidence in your collection.
Learn why collectors document their holdings onlineYour collection, accessible anywhere
Access your collection from any device with our cloud-based platform. Native mobile apps provide seamless synchronization and offline browsing, ensuring your collection data is always at hand.