Rosângela Rennó

b. 1962 • Brazilian

Biography

Rosângela Rennó is a Brazilian artist born in 1962 in Belo Horizonte, Brazil. She is known for her innovative approach to photography, utilizing images from public and private archives to explore the symbolic value and nature of images. Rennó's work often involves the appropriation and reinterpretation of anonymous photographs and negatives sourced from flea markets, family albums, newspapers, and archives. Her art challenges viewers to consider the overlooked narratives of history, focusing on the 'little stories of the downtrodden and the vanquished.' Rennó's practice is deeply influenced by the ideas of Czech photo-theorist Vilém Flusser and German photographer Andreas Müller-Pohle, particularly the concept of 'an ecology of images.' She does not take photographs herself but instead recycles existing images, highlighting the stories within vernacular photography, identification shots, and portraits. Her work is recognized for its critical engagement with historical and political themes, particularly those that Brazilian political regimes might prefer to forget. Rennó's unique approach to photography and her dedication to preserving and recontextualizing discarded images make her work highly collectible and significant in contemporary art circles.

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Rosângela Rennó

b. 1962 • Brazilian

Biography

Rosângela Rennó is a Brazilian artist born in 1962 in Belo Horizonte, Brazil. She is known for her innovative approach to photography, utilizing images from public and private archives to explore the symbolic value and nature of images. Rennó's work often involves the appropriation and reinterpretation of anonymous photographs and negatives sourced from flea markets, family albums, newspapers, and archives. Her art challenges viewers to consider the overlooked narratives of history, focusing on the 'little stories of the downtrodden and the vanquished.' Rennó's practice is deeply influenced by the ideas of Czech photo-theorist Vilém Flusser and German photographer Andreas Müller-Pohle, particularly the concept of 'an ecology of images.' She does not take photographs herself but instead recycles existing images, highlighting the stories within vernacular photography, identification shots, and portraits. Her work is recognized for its critical engagement with historical and political themes, particularly those that Brazilian political regimes might prefer to forget. Rennó's unique approach to photography and her dedication to preserving and recontextualizing discarded images make her work highly collectible and significant in contemporary art circles.

Track Rosângela Rennó

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